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A unique summer language course in Vermont opens the door to opera singing in Germany

AYESHA RASCOE, HOST:

If you want to make a career as an opera singer, Germany, with 80 opera houses, is one of the best places to go. While mastering the German language can be tricky, a unique course at Middlebury College is designed to help. Vermont Public's Nina Keck has more.

NINA KECK, BYLINE: On a recent Friday, Stefan Rutter and eight students rehearse in a dark campus theater.

UNIDENTIFIED STUDENTS: (Singing in German).

KECK: Rutter is music director for Middlebury's German for Singers course. He listens intently as students rehearse an opera by Mozart.

UNIDENTIFIED STUDENTS: (Singing in German).

STEFAN RUTTER: (Speaking German).

KECK: "That's great," he tells them, but then he digs into it word by word. They sing it through another four times before he has them read the lyrics without singing to fine-tune their diction even more.

RUTTER: (Speaking German).

UNIDENTIFIED STUDENTS: (Speaking German).

RUTTER: (Speaking German).

KECK: Umlauts - those two dots over German vowels are what he's talking about. They're tricky for those who aren't fluent in German.

RUTTER: The difference between the oh (ph) and the ooh (ph) because they feel similar to them, but for Germans, they're very different.

KECK: Total language immersion is one way Middlebury tries to break through. Participants sign a pledge to speak nothing but German for the entire seven-week course.

ASHLEY SCHUSSELBERG: The first week, I think, was just panic.

KECK: Twenty-one-year-old Ashley Schusselberg is a soprano from Long Island. She and Orlando Montalvo, a 28-year-old tenor from Providence, Rhode Island, admit the program is intense, but the immersion works.

ORLANDO MONTALVO: You know, we have class for, like, two hours a day, and then we have to eat lunch together in German. We are, you know, going to the bathroom in German. We're doing everything that we can in German. And I came in here blindsided. And I was, like, oh, wow, I actually can speak and defend myself in German now.

KECK: And, no, they're not cheating. The students were given special dispensation to speak with NPR in English.

Hannah Friesen, a 30-year-old who sings professionally in New York, says her biggest hang-up with German are consonant clusters - the PFs and TCHs.

HANNAH FRIESEN: Yeah, I think Italian is the easiest because it's more vowels than - I don't know. I feel like German is more crunchy.

KECK: Crunchy to the tune of $12,000 for this class - something Friesen considers an investment. Program director Bettina Matthias says German grants and student aid mean most students pay less. But it's a lot, she admits, which is why, in addition to history and culture lessons, she includes practical information about working in Germany.

BETTINA MATTHIAS: We talk about, what do you need to know to audition for an agent? What do you need to know to audition for an opera houses?

KECK: Like many in the class, Mitchell Widmer, a 32-year-old baritone from rural Iowa, wants to work in Germany.

MITCHELL WIDMER: At the end of the day, I know after this program that when I walk into an audition room with other Americans, or people from different countries than Germany, that my German is going to be so well-tuned that I will have an advantage.

KECK: Widmer and his classmates will get to try out their new and improved language skills in Germany this week. They'll perform Mozart's "The Pretend Garden-Girl" - "Die Verstellte Gartnerin." Yeah, there's an umlaut in there.

For NPR News, I'm Nina Keck in Chittenden, Vermont.

UNIDENTIFIED STUDENTS: (Singing in German). Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

Nina has been reporting for VPR since 1996, primarily focusing on the Rutland area. An experienced journalist, Nina covered international and national news for seven years with the Voice of America, working in Washington, D.C., and Germany. While in Germany, she also worked as a stringer for Marketplace. Nina has been honored with two national Edward R. Murrow Awards: In 2006, she won for her investigative reporting on VPR and in 2009 she won for her use of sound. She began her career at Wisconsin Public Radio.